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SILVERBACKS – Archive Material – LP – Blue Vinyl

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LABEL: Full Time Hobby

CAT NO: FTH422LP

BARCODE: 5060626463868

Tracklisting:

1. Archive Material
2. A Job Worth Something
3. Wear My Medals
4. They Were Never Our People
5. Rolodex City
6. Different Kind Of Holiday
7. Carshade
8. Central Tones
9. Recycle Culture
10. Econymo
11. Nothing To Write Home About
12. Im Wild

SILVERBACKS Archive Material

LP Limited Edition Blue Vinyl

In years from now, anyone seeking to make sense of what life was like during a global pandemic should extend their research beyond the newspaper clippings and dive into the art produced during the period. Archive Material the aptly-titled second album by Dublin-based art-rock quintet Silverbacks will make for a particularly illuminating listen on the subject. Capturing the absurd mixture of monotony and creeping disquiet experienced by many of us this past 18 months, its simultaneously sobering and wickedly droll.

Spend more than five minutes in the company of brothers/band founders Daniel and Kilian OKelly and youll quickly realise this playfulness is hardwired. Reminiscing about their upbringing in Brussels, they gently rib one another about their early creative abilities. When Kilian started writing music, around the age of 14/15, it was like, oh shit, thats better than what Ive been doing maybe I should latch on to him a bit, older brother and lead singer Daniel chuckles. And thats still the case, guitarist/vocalist Kilian bats back, grinning.

They laugh too recalling how prior to the existence of streaming services they used their dads extensive record collection as a lending library, much to his disapproval. The rule in the house was [you could borrow] just one CD at a time, Daniel explains. It was like borrowing a book: youd check it out for a night and then the next day hed be immediately chasing up on the CD asking, Where is it? And then hed fine us.

It was via these limited loans that the pair first discovered the work of Frank Zappa, the Beatles and Miles Davis, as well as some of the records and bands that would go on to inspire their output in Silverbacks specifically. Televisions Marquee Moon was a big one, Daniel recalls. Pavements Crooked Rain, Crooked Rain was another. And then Sonic Youth generally.

The siblings songwriting partnership only began in earnest when Daniel moved to Kildare to study music in 2008, with the pair swapping ideas over email under the band name Mighty Good Leaders. Two years later, Kilian joined Daniel at college in Maynooth and after changing their name to Silverbacks they expanded the line-up, recruiting course mates Peadar Kearney on guitar and Emma Hanlon on bass, alongside a revolving cast of drummers. This arrangement continued until 2014, when Peadar left Ireland to live in France and the band reverted back to being a bedroom project. The current incarnation of Silverbacks officially began two years later, upon Peadars return to Dublin, with drummer Gary Wickham completing the line-up.

The five-pieces first release together Just For A Better View arrived in 2017, instantly picking up praise from an array of blogs. 2018-single, the BBC 6 Music playlisted Dunkirk extended their audience even further, showcasing Daniels sardonic lyrical style as he played a man having a mid-life crisis on the site of the former battleground. As a result of the singles success, they gigged solidly for the next two years, touring Ireland extensively, and playing shows across the UK and Europe with Girl Band (now Gilla Band), in-between working on their full-length debut, Fad.

Recorded with Gilla Band (formerly Girl Band) -bassist Daniel Fox who the band had initially admired for his production work with Paddy Hanna its release was initially scheduled for November 2019, before being put back to March 2020 for logistical reasons. When the music industry was derailed by the pandemic, its release was postponed indefinitely. Frustrated, the band took control and opted to put it out in July 2020, against the advice of their label. Daniel explains, We knew it was a risk, but just for our own sanity, we just needed to get it out there and move on to the next thing.

It was a leap of faith that paid off, with the Irish Times declaring the 13-track collection seriously exciting, DIY Magazine calling it an excellent example of how a debut should be done and it getting nominated for the RTE Choice Music Prize Irish Album of the Year. Not that the band hung around to revel in the acclaim: they were already hard at work on the follow-up.

Archive Material only cements Silverbacks status as one of Irelands most fascinating bands. Recorded at Dublins Sonic Studios in November 2020, with Daniel Fox undertaking production duties once more, it finds the band leaning into their early influences, delivering idiosyncratic indie-rock packed with intricate, Tom Verlaine-esque guitarmony. Other reference points for the record included Neil Young, Weyes Blood and on Wear My Medals in particular Bradford Cox and Cate Le Bons collaborative record Myths 004.

Where Fad found Silverbacks focused on recapturing the live experience rather than reveling in studio experimentation, Archive Material skillfully traverses the line between the two. As a unit, they replicate that irrepressible live energy via complex arrangements incorporating everything from wistful Rhodes (Carshade) to congas and Gang Of Four-style bass (Different Kind Of Holiday).

Thematically, the record is every bit as rich, displaying an anthropological approach as exemplified by the albums artwork. The initial premise for They Were Never Our People came from a YouTube comment, portraying the decline of a town that has lost its footfall as the result of a bypass. Meanwhile, Central Tones is an empathetic character study of someone seemingly content to trade off former glories, but secretly deeply unhappy.

On several songs, the pandemic functions as a particularly effective prism through which to examine ideas of community. A Job Worth Something finds Daniel reflecting on his real-life experiences working in insurance while his sister treated patients on a COVID ward, and the feelings of futility and guilt he felt at the time. Different Kind Of Holiday was inspired by the ways in which previously uncommunicative neighbours bonded with each other during periods of enforced confinement. Throughout, his observations arrived drenched in the same surreal strain of gallows humour that many of us were forced to adopt to lighten the toughest moments of the lockdown.

Daniel explains, I cant remember who it was, but I saw a musician who said that theyd be keeping away from writing anything about the pandemic, because who wants to hear about that? But Id much rather hear about an event via someone who actually lived through it, rather than someone writing about it retrospectively.

Keenly observed and vividly rendered, Archive Material is an eye-witness account of human resilience as much as it is a compelling indie-rock record. Future historians take note.

See below for tracklisting

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