Release Date: 13 June 2025

Wired Resonances is a collection of seven works for viola d’amore, each developed in collaboration with Marco Fusi. The viola d’amore’s resistance to standardisation makes it a fertile ground for artistic reinvention as each composer approaches the instrument anew, unbound by tradition. Inspired by medieval manuscript miscellanea, Wired Resonances resists linearity and traditional ideas of authorship, inviting listeners to approach each piece as a singular artefact within a broader, resonant whole.

Annie Hui-Hsin Hsieh‘s Breathless, transforms Fusi’s breath into a vast electronic soundscape, the viola d’amore mimicking the sound of the breath through light bow strokes and gentle caressing of the strings. Zeno Baldi‘s Spikes explores a variety of music-box-like sounds, created by plucking the sympathetic strings, playing on the tuning pegs, and traversing a wealth of microtonal variations. Two collaborative works, Circular Ruin created with Barbara Nerness and encounter 1.4 with Pierre Alexandre Tremblay explore improvisation and interaction in very different ways. The former draws on field recordings captured by Nerness at the Frog Pond Open Space in California, whilst the second sets the viola d’amore against Tremblay’s electric bass and laptop. Giovanni Verrando‘s Fourth Born Unicorn, rounded version and Mary Bellamy‘s Shivering Mountain, the two purely acoustic works here, explore the tactile and resonant qualities of the instrument, conjuring percussive textures and a world of airy noise respectively. Bara Gisladottir‘s ORF (en lika axir og onnur pyntingataeki) takes a radically different approach, juxtaposing the instrument with the sounds of grass cutting, thudding hammers, roaring chainsaws and human screams. Starting with an idyllic country scene the sounds become increasingly traumatic, the viola d’amore eventually enveloped by a reverberant electronic shadow.

Much like the manuscripts that inspired it, Wired Resonances is a collective act of preservation, the work of many hands – composers, performers, and collaborators – that together have shaped it.

Marco Fusi Viola d’amore
with
Barbara Nerness Electronics on track 3
Pierre Alexandre Tremblay Bass Guitar and Electronics on track 7

AUDIO

RECORDING CREDITS

Track 1 recorded by Francesco Ambrosini at Studio Tega, Verona on 31 January 2016 and produced by Zeno Baldi

Track 2 recorded and produced by Giovanni Verrando at SZ Sugar, Milan on 21 January 2016

Track 3 recorded by Sen Dlaigh, Engin Daglik, Kimia Koochakzadeh-Yazdi, Nick Shaheed, Barbara Nerness and Dave Kerr at the CCRMA Stage, Stanford University, on 25 April 2024, mixed and produced by Barbara Nerness

Tracks 4 and 6 recorded by Monty Adkins and Mark Wendl at the University of Huddersfield on 19 November 2024, edited by Marco Fusi and mixed by Alex Harker

Track 5 recorded and produced by Annie Hui-Hsin Hsieh at Studio B, WQED Studios, Pittsburgh on 23 April 2022

Track 7 recorded by Pierre Alexandre Tremblay at the University of Huddersfield on 5 November 2023, edited by Marco Fusi, mixed and produced by Pierre Alexandre Trembla

Produced by Marco Fusi
Mastered by Alex Bonney

Funding and support for track 3 provided by the Stanford Composers Advisory Council, Stanford Department of Music, and CCRMA

Album artwork: Thomas Fichter
Design: Mike Spikin
Project management: Alex Harker and Sam Gillies, CeReNeM for Huddersfield Contemporary Records (HCR) in collaboration with NMC Recordings

Catalogue number: HCR37