German melodic extreme metal act FAR BEYOND mark their return with their third studio album, The End of My Road, on February 16 via their new label home Prosthetic Records. FAR BEYONDs latest full-length is an ambitious and fastidiously curated amalgam of melodeath, symphonic and power metal, covering themes of courage and heart in the face of depression and hardship.

Formed in the early 2000s, FAR BEYOND is the solo project of Eugen Dodenhoeft. Based in the Franconian Switzerland region of Germany, FAR BEYONDs history to this point has been one of slow and steady artistic progression with 2005s An Angel’s Requiem and 2016s A Frozen Flame Of Ice albums showcasing Dodenhoefts penchant for seamlessly alternating dynamics of gothic and death metal symphonia.

Lusciously complex by design, FAR BEYONDs latest album shines in its songwriting structure. Across the eight tracks, Eugen compiled up to 30 layers of vocals, synthesisers and orchestral textures. Whilst a solo endeavour at its core, The End of My Road sees collaborative guitar solos from Nathrams Lukas Grsslin as well as additional synthesiser embellishments from Ari Ahrendt on Tempus Fugit and the title track. The End of My Road was then placed in the hands of Patrick Studle of Glaswald Studios in The Black Forest, Germany.

Furthering their quest to understand the complexities of the unknown and transcend beyond the unknown, The End of My Roads contemplative atmospherics and concentrated sonic extremities merge seamlessly with a deft poetic touch. With Eugen adding: The End of My Road is my invitation to get lost in the sonic realms of FAR BEYOND and find a moment of peace and inspiration. I look forward to sharing this album with the world and hope that it touches the hearts of listeners, providing them with an unforgettable soundtrack for their own journey.