The second coming of ANGEL, the biggest miracle in the Western music scene in 2024. The second installment of the original video where you can witness the scene is here. This work was filmed at the “July 13, 2024: Daikanyama UNIT” performance. This is a superb audience shot. The other day we introduced “TOKYO 2024 1ST NIGHT: THE VIDEO”, which was also a breaking news of their visit to Japan, but this work is a different video of a different performance. In order to explain the situation around there, let’s start by looking back at the schedule of the miracle return to Japan that has just ended. * July 12 “TOKYO 2024 1ST NIGHT: THE VIDEO” * July 13: Daikanyama UNIT This work July 14: Nagoya ell.FITS ALL * July 15 OSAKA 2024 That’s a total of four performances. The number of times and the size of the venue cannot be compared to their first visit to Japan 47 years ago, but anyway, all the performances were completed safely this time. The first report of the other day, “TOKYO 2024 1ST NIGHT: THE VIDEO (hereafter, the previous work)” was also at Daikanyama UNIT, but this work was filmed on the second day of the return to Japan, the day after that. This work is also a sister work of the previous work. Not only was it at the same venue, but it was also filmed by the same person. Similarly, it is a limited original video that is not available on the Internet or elsewhere and can only be seen by the main wife. And the quality is also like a sister. In addition to the same venue / same equipment, the shooting position, image quality / sound quality, and shooting technique are very similar to the previous work. In the first place, the stage itself is so narrow that it is difficult to move, and the members’ standing positions and instruments are also the same. If you play it without knowing that Punky Meadows’ costume is different, you might think, “Huh? It’s the same as before?” (By the way, on the first day, the costume was white glitter with black patterns, and on the second day, it was a blue star pattern. The other members seem to be wearing the same costumes as the day before). If you have experienced the previous work, you have already made up your mind, but for those who have not, I will explain that “similar to the previous work = fierce spectacular view”. It is much higher than the front audience, and looks directly at the stage, passing over the heads of the audience who are rushing in front of the stage. Moreover, the bold zoom is as powerful as a professional shot. In the first place, Daikanyama UNIT itself has a capacity of 550 people, so you can see the expressions of the members even from a distance, and from there, you can zoom in with the latest equipment, so if you feel like it, you can take a huge shot of their hands and expressions so close that they stick out of the screen. Of course, the photographer focuses on ease of viewing and rarely does anything reckless (it’s not zero at all: lol), but it allows you to enjoy it with a flexible sense of distance that has no restrictions. What you can enjoy from such a superb view is the miracle of Live in Japan, which has been realized for the first time in 47 years. Let’s check the set here. 70’s Classics (14 songs) Angel Aesthetics: Rock and Rollers/Tower Gorgeous Prince: Mirrors/The Fortune/Pressure Point/Feelin’ Right Invitation to Dance: On The Rocks/Can You Feel It/Cast The First Stone Angel Rebellion: Got Love If You Want It/Don’t Leave Me Lonely/Ain’t Gonna Eat Out My Heart Anymore Resurrected Angels: Wild And Hot/Bad Time Recent Songs (2 songs) We Were The Wild/It’s Alright … and so on. Frankly speaking, it is the same as the previous day. This work is not only the quality but also the show content is sisters… no, it may be better to say that it is a twin work at this point. Of course, the passionate performance is reminiscent of the previous day. Although it seems that it is the second day of the same venue and there is a sense of ease, the joy of returning to Japan, which has jumped over a long space-time, explodes in this work. You can also witness Frank Dimino’s happy-to-be-alive smile. The venue, photographer, equipment, position, shooting technique, quality, show content… everything is very similar to the previous work. It was a miracle that they came back for the first time in 47 years, but the luxury of being able to observe the two Tokyo performances from a super-breathtaking seat is something you can’t find anywhere else. This is an absolute video of twins that is unique in the history of Japanese Western music. A super-breathtaking audience shot of the performance “July 13, 2024: Daikanyama UNIT”. The original video was shot by the same photographer as the first report “TOKYO 2024 1ST NIGHT: THE VIDEO”, and the shooting position with zero obstructions and the shooting technique with a professional-shot zoom are very similar to the previous work (you can tell the first day / second day by Punky Meadows’ costume). This is the younger sister of a sister work that allows you to observe the miracle of their return to Japan for the first time in 47 years, which is unprecedented in the history of Japanese Western music, for two performances. UNIT, Tokyo, Japan 13th July 2024 AMAZING SHOT(from Original Masters) 1. Intro 2. On The Rocks 3. Can You Feel It 4. Mirrors 5. Wild And Hot 6. Bad Time 7. Cast The First Stone 8. The Fortune 9. We Were The Wild 10. Got Love If You Want It 11. Don’t Leave Me Lonely 12. It’s Alright 13. Pressure Point 14 I Ain’t Gonna Eat Out My Heart Anymore 15. Feelin’ Right 16. Rock & Rollers 17. Tower Punky Meadows – guitars Frank DiMino – lead vocals Danny Farrow – rhythm guitars Charlie Calv – keyboards Billy Orrico – drums Tommy Caradonna – bass COLOUR NTSC Approx.90min.